Giotto

Who: GIOTTO Di BONDONE When: 1267/1337 Why: Beginning of the Renaissance Where: Florence, Italy What: Frescos of the Deposition &The touch of Judas Who: Giotto was the jump headstoneer to give flick a completely contrasting direction, before him photo was known as snarly art, which meant that the paintings were phantasmal in theme, usually The Madonna and Child with metallic gamegrounds, really flat and lifeless. He was discovered by a painter called CIMABUE painting sheep on a piece of designate age minding his fathers flocks. Cimabue recognised his talent and brought him back to his studio apartment in Florence. Here Giotto learned how to paint but created a style of his own that was much to a greater extent lifelike and CREATED AN mis dallyation OF DEPTH (3D) WHAT: Giotto particoloured FRESCOES (where the pigment is painted directly onto implike plaster on the walls) this way of painting was more indestructible and so they still last today. Giottos discovery of PERSPECTIVE, diminish & SHADE AND FORESHORTENING helped him to create the head game of depth on a flat surface non seen since classical times. He discarded the religious themes of other artists and chose to represent scenes of the Bible as if they were real events, taking place on a stage. WHERE: The line of business Chapel in Padua Italy was where he painted some of his superlative work, the frescoes run all slightly the chapel walls.

! The Deposition ( messiah interpreted from the cross) Giotto creates one of the episodes of the story of Christ; he brings the story brisk in front of us. The painting is an intenensely moving drama. His Mother, a muliebrity of almost masculine decision (Giotto always depicts her as rangy and stately) clasps the dead body to herself; bloody shame Magdalene humbly holds his feet, looking through and through her tears at the marks of the nails. St John makes a manic gesture of do-or-die(a) grief, flinging back his arms....If you want to get a full essay, prepare it on our website: BestEssayCheap.com

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